SCENE ONE (and an explanation of what the hell is going on with these posts)
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SUNSHINE’S NIGHT OF DARKNESS
Synopsis: It’s Sunshine’s first day of work in security at the P.U.R.E Corporation and all she wants to do is make it through orientation, but first she’s got to fill out a name tag requisition form, fit her uniform, meet a cute computer geek … oh, and save her fellow employees from genetically-mutated, blood-lusting vampires.
Notes: All work is registered with the WGC & the WGA.
– Scene Five –
INT. LAB 17, RESEARCH AND DEVELOPMENT, P.U.R.E CORPORATION – LATER
Leila, still in sunglasses, crosses her ankles and perches on a chair while Dixon paces.
DIXON
Leila, I really must caution –
LEILA
You have.
DIXON
The animal tests have not been conclusive … and … and … your multiple surgeries … perhaps compromised immune system … don’t make you an ideal –
LEILA
What makes me ideal is my signature on your paycheques and the generous, shall we say, grants that keep your department top-of-the-line.
DIXON
Of course, I meant –
LEILA
We also wouldn’t want the government catching wind of any of your … experiments, which I, for the sake of P.U.R.E’s dedicated clients, would have to disavow any knowledge of. In fact, to the board your grants could look a little like … embezzlement?
DIXON
But –
LEILA
Were some of the trials successful?
DIXON
Well, yes. But –
Leila removes her sunglasses. Her eyes (and her face) are stretched almost beyond that of a recognizable human.
LEILA
I need this.
DIXON
– not yet on humans!
LEILA
I refuse to go on this way. I know the risks and the rewards … I have a dinner party tonight, and many of my guests, my wealthy friends would pay many, many hundreds of thousands if you can do what you say you can.
DIXON
I … I –
LEILA
– could open your own lab on your own private island with your percentage. That is, if you ever wanted to leave P.U.R.E.
DIXON
Never. I would never want to leave.
LEILA
Good. So, I sit in that chair over there?
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SUNSHINE’S NIGHT OF DARKNESS – a screenplay by Meghan Ciana Doidge
SCENE FIVE (above)