Conduit Series: Illustration and an excerpt: The Gage Estate

The Gage Estate. Illustration by Kateryna Vitkovska (@vitkovskaya_art)

Instead of unlatching the gate, I climb it. The fencing is about six feet high on this edge of the property. Grasslands allowed to go wild stretch from here up to the house, which is set back from the bluff. A long, sandy beach stretches out as far as the eye can see — with enhanced or normal sight — from either side of that jagged, rocky outcropping. A low-lying beach punctuated by massive rock formations jutting out of the surf runs to the right. To the far south, near the very edge of the property, dunes begin to rise.

Except ‘property’ really isn’t the right word to encompass the mass of land that the Conduit and the Gage family occupy along the coast of Oregon. It’s a territory, really. Hectares upon hectares of land and beach. Even the foreshore is protected from public access, with both legal and essence-enforced boundaries. There’s a no-fly zone above, and a no-boating zone set between us and international waters. No entry without permission.

I can’t currently see that much of the property, of course. Not even while balanced on top of the gate. I can, however, see the conical roof of the turret tower on the main house, offset to the left on the asymmetrical structure. None of the usually ever-present soft glow emanates from its windows.

– Awry (Conduit 1), Chapter Six, Zaya